Greenwich Mural Workshop

After investigating the (still) fabulous Rathmore Benches and in my continuing search for the answer to a question that Jonathan asked back in February about the Mural at St Alfege's School, I discovered Greenwich Mural Workshop.
It's the kind of organisation that could only have come out of the 1970s and 80s - a time when whatever else utterly horrible was going on, the arts were considered an essential part of the community - and that to decorate buildings and dull places was all part of a larger enjoyment of life. People moaned at the time that the Arts Council wasn't coming up with enough cash - but it was probably the very best time the arts have ever known for public funding. I don't know how Greenwich Mural Workshop was (or is) funded - but I'll bet my boots that the impetus came from that glory time.
Even the website has a 80s/90s feel to it, one that I, for one, find rather comforting. On it they have a gallery (not nearly big enough) of the work they've created and you can see just how fab the public (and not so public) spaces they've decorated are. They've produced many of those incredible giant murals that sprang up in urban areas in the 80s and 90s (I can't find the St Alfege's School one there, Jonathan, but the style is so similar, perhaps it's just not been included in the gallery) multi-media projects in schools and community centres and my own favourites, exquisite site-specific mosaics with frustratingly few details of where they can actually be viewed. The more modern projects that they seem to be taking on have a much less bright, more 'environmental' feel - 'natural' colours and materials. Such is progress.
They clearly know what they're doing - no school-kid daubing here. These are trained professionals; highly-skilled artists. They may "combine the talents" of the local community, but anything that actually goes up on the walls is actually something worth seeing by people other than doting parents.
How they've survived the thin times of the nineties and the even thinner times of the noughties beats me, but they are still very much going - taking on new commissions, youth training and consultation jobs (presumably the 'consultation' is the key to the funding - I doubt they'll have much joy from central government these days)
They're based in Woolwich, and I notice that they seem to have had a lot of input into public spaces there. I hope they get the opportunity to make their mark on the new-look Woolwich that will be emerging over the next few years. In the meanwhile, maybe Greenwich Council could find a few quid to use their "repair" service on Rathmore Benches...
www.greenwichmuralworkshop.com
Labels: Art, Greenwich People

3 Comments:
The mural Jonathan wanted information about is called "Changing the Picture" and its theme is the people of El Salvador affecting change within their own lives. It was painted in 1985 on Macey House in Meridian Estate by Jane Gifford, Sergio Navarro, Nick Cuttermole and Rosie Skaife D'Ingerthorpe. It was commissioned by the Cultural Commission of El Salvador Solidarity Campaign and funded by Greater London Arts Association (now known as London Arts) and the G.L.C. I believe during the time when Tony banks was still chair of the Arts & Culture Committee.The project was organised by a person called Chris ?, I forget his surname, so I give him my apologies.
This information is held in a publication called "A Guide to London Murals Since 1976" first published in 1986 and updated in 1988, so records murals that had been demolished by then. About a dozen copies remain and can be purchased from Greenwich Mural Workshop.
That's fantastic information, Carol. Thank you!
Greenwich Mural Workshop have just made the Friends of EGP a small plaque to commemorate East Greenwich Pleasaunce's 150th year.
They've been a pleasure to deal with, and I'd recommend this great local collective of artists to anyone.
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